+’STORY WITHOUT WORDS’ COVER IMAGE – ABUSER CONTINUED

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I don’t like this abuser image as it is being created.  (Following previous post, +BOOK COVER ART – NEXT FOR ‘STORY WITHOUT WORDS’ – THE ABUSER)  I’m done working with it yet.  It’s color shows too brightly with the camera flash, that’s for certain.  Why the shades of purple?  I know why there’s black.  But the purple?  Perhaps that no person can be all bad?  That’s not how this scene feels to me as it’s being built.  Time will tell how this all comes out….

abuser 4

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+BOOK COVER ART – NEXT FOR ‘STORY WITHOUT WORDS’ – THE ABUSER

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abuser 1

I wondered what my image of my abuser would look like before I started forming it.  My initial idea in my mind has obviously been tempered.  I first saw ‘the monster’ as HUGE and much more solid.  However, I think the image that is forming reflects a trans-generational abuser as my grandmother and even my great-grandmother abused my mother – as she then grew up to abuse me.

abuser 2

I had also pondered the color of tissue I would use for the abuser, and realized I did not have any appropriate color in my collection.  Then I visited our local thrift store and there it was — the perfect color!  You will see that color soon….

abuser 3

It is also important to me that the abuser will not be fixed within the scene of the front cover image, hence it is fixed to a stand that I can move around to get the perfect angle and placement of it for the cover photograph.  I also have plans for how the front image will be taken apart and changed for what will hopefully be the images for the back cover.

Motion is an integral and critical factor in the process of children being beaten.  As I have written elsewhere when I stopped a few years ago to consider the minimum jail sentence my mother deserved (mentally ill as she was) for JUST her physical attacks on me, I came up with 15,000 years.

How does abuse of little people, assaults by giants, even begin to be described in words or in illustrations?  I am certainly working toward coming up with at least one way to do it.  Treating this heavyweight topic with such lightweight materials as plastic grocery bags wrapped with masking tape and tissue paper creates its own irony certainly not lost on me.

In the end, I find that letting go of my emotions regarding my history of abuse happens in a way like opening my palms and letting the horrors blow away like so much dandelion fluff.  Keeping those emotions harms me.  This is why I am taking this two-week book writing break — to find my own way to let my ANGER go at what was done to me!!!  The negative emotions belong to the abuser who created the situations of abuse of me.  It does not need to be MY anger.  I do not want it.

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+’STORY WITHOUT WORDS’ – BOOK COVER ART – THE BED

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I have an idea for the cover picture of this our first book to be published, Story Without Words.  I have realized that to me my simple art style is whimsical, and as my friend describes what I am doing, these are action figures.  Sadly, the action that will be portrayed in this book is most unpleasant.  But to begin with, here are some pictures of the making of this first completed cover artwork piece – the bed.

bed 1

The foundation….

bed 2

Beginning the bed….

bed 3

Mattress made of wadded newspaper stuffed into a plastic grocery bag, all wrapped with masking tape….

bed 4

Tissue paper and Mod Podge added….

bed 5

And here is the whimsical child’s bed….

bed 6

My thoughts for the background scene for the cover picture include a visual presentation of something I know well from my abusive childhood:  The environment that belonged to me as a child was a world that should have been safe and secure for me, but was not.  Every time my mother (my abuser) split off into her dark psychotic world within which I as her all-bad child was the sole occupant, when she interrupted my ongoing child life of being my own self with her abuse, another reality was created that I was forced to endure.

This reality is going to be portrayed symbolically in the scene for the cover of this book, Story Without Words.  But specifically to this book is the reality that patterns of abuse Mother perpetrated against me were perpetrated against her by her mother.  This is an intergenerational portrayal of what happened to Mother when she was a child as I believe that abuse directly changed her into the abusive monster she became toward me.

This will not be a pretty picture in the bigness of it all.  It will not be an easy one to look at.  I don’t believe personally that there is any other way for the scene I am creating to be illustrated in anything like a tolerable way other than the way I intend to do this.  Nobody wants to SEE child abuse in action.  We cannot tolerate its imagery.  I believe part of the way our society excludes not only very real awareness of the reality of child abuse but also avoids facing its reality head-on happens in part because we will not even begin to let the imagery of its reality into our mind.  How are we going to solve the problems that create and sustain infant and child abuse if we cannot even visualize it — or — THINK about it?

It has struck me during these days I am taking my break from writing for the 10th book in this combined series that MANY people were hurt in their earliest years by violence and abuse.  MANY people!  Not just a few!  The entire topic of child abuse then becomes personal perhaps to nearly the majority of people who are intent upon denying how what was done to them hurt them.  Denial is NOT helpful!

There are 3.3 million confirmed cases per year of child abuse and neglect in the U.S.  1,825 confirmed cases per day!  This says NOTHING about the stories that are not being given words — the silent and hidden cases of unreported infant and child abuse and neglect.  This book and its provocative cover image will address the invisible silence of one intergenerational story of abuse that is finally finding words for its telling. 

My hope is that the primitive, simple and whimsical cover of this book — and the book itself — will help us all to address what is perhaps the darkest side of human nature as it conveys a message of hope that resolution of the problems that create infant-child abuse and neglect IS possible!

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+MORNING AMONG THE ROSES (April 30, 2013)

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There is no possible way for photographs to begin to convey the charm of this garden along the south borderline between Mexico and the U.S.  I was greatly joyed at having three people actually come visit the garden last Saturday.  One sells potted plants at our local Farmers’ Market — she took home hundreds of starts for plants from the garden and no sign of the tiniest dent was made in this budding and blooming oasis among the dusty dirt of our pre-monsoon high desert landscape.

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The Mermaid Rose – scent from heaven at dawn and dusk.  There’s my adobe chicken coop in the background – and the rusty double border fences.

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Darlow’s Enigma – wild rose, blooms spring to freeze

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The John Cabot rose with pink salvia and Sundancer Daisies

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South view of bed with several kinds of flowers in it including the Darlow’s Enigma

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Such lovely pink!

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Oh, well – lovely new blooms even though I have forgotten the name of this hardy desert perennial!

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They all loved our winter rains!

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The Nearly Wild rose coming into bloom.  A modest grower, very easy to grow and maintain!

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My friend calls my garden “the Beetlejuice garden.”

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Perennial petunias and wonderful sage that blooms only once a season – and that season is now!

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Lovely deep red salvia.

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There are the two rust brown tall Mexican border fences in the back of the picture.

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So lovely – and will be lovier yet come mid-July when our summer rains arrive!

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The very hardy John Cabot rose.

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This rose is the tenderest of the bunch – but when it blooms I NOTICE!

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+JUST LINKS TO FUN LATIN MUSIC I DRUM TO

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I am still on break from my book writing!  This is a small collection of links to music I drum along with – just for fun!  I am hoping to branch out to other styles of music – and hoping to find local company to drum with!

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Just FUN!!!

Santana & Clapton – ”Jingo” live at the Crossroads Guitar Festival

http://www.youtube.com/watch?v=ehGWHd0hGFw

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Marc Anthony – his fans in BLISS – free concert in Mexico City — !!!!!  entire concert at this link –

http://www.youtube.com/watch?v=qnHIikdHVb4

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32 albums to this group — Enanitos Verdes — http://www.amazon.com/Enanitos-Verdes/e/B000APEC2M/works/ref=ntt_mus_teaser?_encoding=UTF8&sn=d

http://www.youtube.com/watch?v=wFYPTiPjq7E

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Just FUN

http://www.youtube.com/watch?v=a_hxd8xuM1U

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rumba

http://www.youtube.com/watch?v=wgYrJ0g8Cf0&NR=1&feature=endscreen

http://www.youtube.com/watch?v=_9m8wUGcbsM

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This is so SWEET!!!  takes me a-w-a-y!!!!  Love it – honest and humble

http://www.youtube.com/watch?v=54-GzC_rzh0 

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Peru (with cheerleaders!)

http://www.youtube.com/watch?v=fvgehYQYsMk

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I use the slide bar through this – great kongas – fantastic drum solo at 44 on bar – ‘Thunder Drums’

Larry Harlow & Latin Legends Of fania – 40 Aniversario

http://www.youtube.com/watch?v=TNlBiavm-Yo

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just a fun song – dancing hands beat

Hector “El Torito” Acosta-Quizas si, Quizas no (LETRA)

http://www.youtube.com/watch?v=LcF6d3–_wI

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I believe – Brazilian

Enanitos verdes – Tu carcel.

http://www.youtube.com/watch?v=JJ2pNFwR_hQ

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Adventura has a lot of great music – poppish

La Tormenta Aventura

http://www.youtube.com/watch?v=EP7Ne7iRbcM

Aventura – Los Infieles

http://www.youtube.com/watch?v=2a-O9EZWREM

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dumb commercial – then…. fun beat (simple)

Juan Magan – Bailando Por Ahi

http://www.youtube.com/watch?v=9m6ogS57sc8

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fun latin beat – simple – makes my hands dance — so many ways to drum this!!

PRINCE ROYCE – Incondicional

http://www.youtube.com/watch?v=hpzT6Wq6pKY

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a fun song – makes my hands dance

CAFE TACUBA – COMO TE EXTRAÑO

http://www.youtube.com/watch?v=Ba-fIkJpysg

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Have to be in the mood for this one –

Tito “El Bambino” El Patrón – Llama Al Sol

http://www.youtube.com/watch?v=QrvGvJ2sjug

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sweet beat – hands/fingers enjoy this – just happy

Toby Love – Casi Casi

http://www.youtube.com/watch?v=CfwX5ThiPn0

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+LAUGHTER – CAN NEVER GET ENOUGH OF IT!

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I have a lot of very serious things on my mind, so I was especially vulnerable to the effects of this happiness video – I think this is WORTH A WATCH!

VIDEO – LAUGHTER IS CONTAGIOUS

I went searching online and discovered some fascinating information!

WHY IS LAUGHTER CONTAGIOUS?

THE STUDY OF LAUGHTER

LAUGHTER REALLY IS CONTAGIOUS!

WHY IS LAUGHTER CONTAGIOUS?

And, of course, this……

+HOOKED ON ‘D’ SMILES – THE HAPPINESS CENTER

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+ACTION FIGURES CONTINUED – SWING DANCERS

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Here is an angle of the tissue paper studio – for making things out of wire, plastic grocery bags and wadded paper wrapped with masking tape, mod podge and tissue added!

tissue studio

The swing dancers

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All by himself….

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Ah – but – SHE HAS ARRIVED!  Let the dancing begin!

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My son’s talented and can paint on facial details if wanted – not my thing!  Just fun to make on my book writing break!  Am beginning to see ideas for lots of people I love!  This could become a smile-full happy habit!

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+COVER IMAGE FOR BOOK – ‘STORY WITHOUT WORDS’

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Well, I have an idea for creating the cover art for the first book my daughter and I will be preparing for publication, Story Without Words.  First, I will show you something I just finished and mailed off to one of my gardening sisters that I created using the same media and technique I will use for my cover art:

I have nearly finished a pair of swing dancers for my son’s 28th birthday.  These “action figures” as my friend calls them, bring me many smiles as I create them.  The one I see in my mind’s eye for the cover of Story Without Words will not bring me or anyone else — smiles.  In fact, the image will create opposite feelings in its viewers — as well is should given the subject of this book.

It is my plan as I begin the work on this cover to make all the parts moveable so that both a front cover image and an altered back cover image can be created using the figures (made of wire, reused plastic grocery bags, masking tape, tissue paper and Mod Podge).

Even though current statistics report that 1,825 cases of child abuse and neglect are confirmed DAILY in the United States — a figure that does not include the thousands of cases that are never reported — nobody wants to SEE images of harm to children.  Nobody would want to see those scenes in a movie or in a photographic image.  This fact is very much connected to the very title of this book.  Not only do stories of infant and child abuse (crime reports) most often remain silent, but the images are gone, as well.

I can create the exact image I want for the cover of this book using this rather silly and certainly very humble craft technique.  While images on Kindles remain black and white, the brilliant colors that will be a part of my image will show up somewhere for someone to see.  In the meantime — I will see them — and I might post progress of my work on the blog as the image comes into being.

Our family has no budget whatsoever for creating a cover for this book (or any of the other ones).  My daughter is getting very close to arranging her week off of work to edit.  So — I better get to work!

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+THINKING ABOUT THE BOOK WRITING AND PUBLISHING PROCESS

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April 24, 2013.  With my daughter’s work as editor being essential to the upcoming publishing process of the two series of books currently under construction it is part of my job during my break from writing until May 3rd to make my decision and my choice about how her most valuable and scarce time will be best invested.  It may be that she will soon be able to take one full week of vacation off from her demanding career to edit.  Where will she begin and in which direction will she move forward in this brief period of time?

By June 1st there will be ten books in manuscript form ready for her edits.  Which ones need to be published first?  I need to think through my preferences completely so I can let her know my suggestion and my desire about where she is to begin her work — and why.

Ultimately the goals of the final publication of these books need to be perfectly clear both to me and to my daughter.  I am involved in that thinking process today.

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If the future of these books was in the control of a big publisher I would not be making these decisions.  As it is I think my daughter and I are working within an arena that has not existed before.  We have no guide to tell us how to proceed.  We are working with the barest of available or possible resources.  At the same time we hold every right regarding how this saga will unfold.

One 7-volume series whose manuscripts have been ready for edit for months now contain the nearly 500,000 words Mother left behind at her death.  Those words do not talk about Mother’s psychotic Borderline Personality Disorder mental illness or about the severe abuse of me it created.  Those books to be published in the Mildred’s Mountain series would be simplest for my daughter to edit when she has any available time to do so.  But is that what I want to happen first?

The other series to be published as The Dark Side of Mildred’s Mountain contains my serious commentary about Mother’s mental illness, about my story of her abuse and about what infant and child abuse does to its survivors.  I am writing all of this within the framework of my perpetrator’s words.  This series is an expose that seems most useful and important to me.

There is also a manuscript ready for edit, Story Without Words, that is meant to be the first book of both series within which I describe Mother’s childhood as I believe it influenced her becoming psychotically mentally ill and therefore psychotically abusive in the first place.  This book absolutely needs to be published before any other.

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How do these two series interact with one another?  How far into the publishing future are we able to look at this point to project how these books will be published, in what order, and when?

How much editing work can my daughter possibly finish in one week’s time?  Which books of which series should immediately follow Story Without Words?  Why?

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The choice I would make today would leave all 7 of Mother’s manuscripts for the Mildred’s Mountain series sitting and continuing to wait for some time in the future when their edits would then take place.  Unfortunately these books would be easier for my daughter to edit and would not take the kind of focused thought and time it will take her to work through the far more complex text of the other Dark Side of Mildred’s Mountain series within which I expose the truth behind Mother’s words.

By June 1st I will have the first two manuscripts of the Dark Side series ready for edit.  Given the very short period of time my daughter will have available at most it is probable that she will get through Story Without Words and these two manuscripts.  I think this is all we can reasonably expect to move toward publication form at first.

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There is an entire other branch of complication to this process.  At present there are 400 photographs meticulously sorted that await scanning and repair.  Nobody in my family involved in this process has a computer capable of managing this work.  Edited or not, no book can be published until this huge job has been completed.  By whom?  How?  When?

At present we have no answer.

I do know that before my daughter has finished her edit of Story Without Words and the first two manuscripts belonging to my Dark Side series I will have completed the 3rd volume of that series.  That would sit next in queue for edit.

The 4th volume of both series will most likely be the same book.  Within that book an Alaska homesteading venture that took place on a mountainside in the dead of winter is presented.  I was 8.  I remember it all.  Mother’s words tell that story.

I cannot currently anticipate what would happen after that 4th book in both series.  I have always believed that I would write my own story in the Dark Side series of horrendous abuse until I left home at age 18.  I am no longer convinced that there is any benefit to my writing that story.  If I do not see any additional benefit to the expose of Mother’s illness and her abuse past what I have already written I will write no more.

I do not have to make that decision today.  Through writing this post I have found the clarity I needed to make the choice of which books I want my daughter to edit first:  Story Without Words and the first two manuscripts of The Dark Side of Mildred’s Mountain.

That these are only three of what could eventually be fifteen books is not my current concern.  I do not choose that Mother’s own words be published first even though that would be an easier and faster choice.  Her words can wait.  My priority is to begin to contribute a body of information about how Borderline Personality Disorder can manifest with psychotic infant and child abuse.  These first three books will do exactly that.

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