+COVER ART FOR ‘STORY WITHOUT WORDS’ – FLOOR MADE OF CLOUDS

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Alas, I cannot bring myself to face my mother’s voice in her letters at this point in time.  I reached chapter 43 of this 10th book in this abuse saga and found these were the next of Mother’s words that appeared.  I can barely bring myself to read them, let alone to think about them and form my comments about what this abusive woman was saying about me shortly after my 6th birthday as I tackled my first grade experience:

January 16, 1958 Thursday – the first part of this letter was missing

Linda’s teacher says she does excellent school work and is especially good in reading!  BUT is still wild and rough and talks too loud!!  Remember how she would run around so silly in the back yard while the others would settle down?  And she has a very bold streak.  Well – we’re trying desperately!  She has snow pants and has worn them over cute clothes – no pants – and so do the other girls – for ages now.  It’s ‘her personality’ when with other children.  She’s good, quiet and reserved when alone or with me or adults but unless closely supervised and reminded continually is loud with other children.  I know it isn’t intentional but just her!  I hope she’ll grow out of it.  She’s emotionally immature but smart.  Golly, Sharon 4 years younger plays and acts bigger than Linda did at 5!  I know our children so well.  Heavens knows I’ve been with them every minute since birth!  I’m just telling you this but not asking for letters of advice!  Just thought you’d be interested.  [Here in Alaska Mildred could completely control what my grandmother knew about me.]

Cindy too is real good with Sharon and they play very well together BUT I notice she gets loud when other children come.

I think our children haven’t been with others enough BUT I feel it will work out!!  When they realize results and that it isn’t approved of.  Like John – he had same difficulty (not as much as Linda) but I feel this year he has really grown up.  Less and less clownishness and tries so hard to be big!

Remember before John’s play Joe Anne Vanover told me John was not well liked by boys in class.  I told her if he wasn’t then it was her boys fault for saying things.  They turned into terrible teases etc. and at bus stop when school began and I had to speak to them and they were resentful.  I told her it is hard for John to move from school to school etc.  I didn’t lose my temper but told her plenty.

I do want to be friendly and get along here but still will not be pushed around. 

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I don’t have the energy to write about Reactive Attachment Disorder children — which I was.  I don’t have the energy to tie what I could say about Mother’s words into what I have described in the 42 chapters of this book prior that have been presented prior to this letter.  Mother had taken every effort to bias my teacher against me.  All of my life I have carried the warmest, most positive memories about my first grade teacher and my experiences in that classroom where I thought I was safe.  When I first read Mother’s letters my bubble burst — and I felt such a loss!

Never mind that all now.  I will be traveling for the first week and a half of June and for now I let the sleeping beast lie silently in Mother’s letters and in my own heart.  Meanwhile, it is the cover art work being created for the first book, Story Without Words, that captivates my attention right now.

I spent 12-14 hours these past two days creating the floor for this image. 

floor pics 001

Having created a grid first I then Mod Podged various shades of blue and aqua to half of the squares….

floor pics 002

I then glued silver paper from a gift bag that fascinated me to create a kind of cloud tile pattern surrounded by the blues….

floor pics 003

I find myself thinking about how computer technology has in many ways taken the hands-on process of making images out of the process.  This part of the cover image left glue on my fingertips that only time will now remove….

floor pics 004

Of course most detail of the image will vanish with its final photographing and sizing for the cover….

floor pics 005

And of course when I am done moving the pieces around and adjusting positions and adding more parts to the image, all will need to be leveled, straightened and attached into final position.

Right now from outside edges of pillars the horizontal width of the image is around 30″.  To finish this for final ebook cover ratio the height will need to be 48″ tall.  The next stages of creation will involve adding this height along with book title and my name.

I find myself thinking that no matter what words I try to use to present this Story Without Words there can never be enough space for enough words to really tell it.  The story formed over generations as the abuser in this picture and the child represents both me and Mother and Mother as a child being abused by her mother.

The effects of severe early abuse, neglect and trauma last a lifetime and impact everything about how we life our entire lifetime.  It takes massive efforts to try to recognize how patterns of early trauma appear in our interactions with other people and with situations we live through all through our childhood and through our adulthood.  The best I can do is try to trace the general outlines in word and image of what early abuse feels like to its prey.

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+THE COURAGE OF A BOOK COVER: ‘STORY WITHOUT WORDS’

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I am progressing with the cover image to the point where I need to figure out the actual size of this so that it can be photographed and resized using the proportion/ratio of the ebook picture size of 1563 pixels on the bottom (shortest) side of the cover by 2500 pixels on the top (longest) side of the cover.

I will have to play around with angle of the shots to be taken — so that I can figure out how these pillars will be situated — what “window” into the scene will I use?  That will determine what size I make the “carpet” for the image, how far above the pillars the space in the image for the full-size title will be, and below the pillars how much I will add for space to have my name on the book.

All kind of mind boggling to me — but meanwhile, I might as well get used to the context for this unusual book over as the image is evolving.  Here are a few pictures —

1st pics image 001

Abused children are in a prison they cannot escape from on their own – prison bars on the wallpaper are narrow cardboard strips –

1st pics image 002

The circle of rage flames the abuser stands in is removable.  I need to begin to see this whole thing in 2-D rather than in 3-D

1st pics image 003

I sprayed the abuser with a matte finish rather than gloss – I am not happy with the shine for this finish!  I do not have access to matte Mod Podge — the Elmer’s glue was too cloudy – a process to be continued –

1st pics image 004

Hard image to look at — I have to build tolerance to study it as it grows into a whole — I feel sad looking at it.  So far I do not keep the pieces in place when I am not working on the image —

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The wider I make the horizontal on this the taller I will have to make the ‘filler’ top and bottom.  Also need to decide if I want a shine to the floor material – I do not want this photographed with flash – wish I could do outdoors – so much to consider —

1st pics image 006

Well, back to work….

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+MOTHER’S DAY? NO MOTHER HAD I

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Although I cannot speak for my siblings, I will say that for all of us we spent our childhoods having to pretend we loved our mother.  I am sure that Mother’s Day was one of the holidays where that pretending took us full force as we tried to give to our mentally ill psychotic mother what SHE wanted us to give her — unconditional love, praise for her mothering of us and our adoration.  Of course we knew nothing different.

As the targeted all-bad child of our Borderline Personality Disordered psychotic mother it would have been the widest possible spread for me to express loving adoration to the woman who had hated me (as her projected all-bad self) and caused me great pain from the moment I was born.  I didn’t know I had to pretend I loved this woman.  I did my very best TO LOVE her.  How could it have been possible to LOVE this personification of evil intention and action?

People who as adults really DO love their mother had/have a mother than can be loved.  They are most fortunate.  I wonder if they know this?

There are mothers such as mine was who can only be truly loved by God, although I do suspect that our father really DID love her.  But that love was so distorted as to be impossible to recognize for what most people call love.  For my own sake I do not judge her, my father, or their relationship.  What I do is assess the facts of my experience with the woman from whose womb I sprung — into an insane world of her brutal madness.

Mother was my devouring predator.  Her version of love for me could be matched, I suppose, to that of a female Praying Mantis who snaps off the head of a succession of males who mate with her, devouring their heads to give herself necessary sustenance as she goes on doing what she was essentially created to do:  Make offspring.

I LIKE Praying Mantis!  They intrigue and fascinate me, beneficial garden insects that they are, beautiful in their elegant shapeliness and gracefulness.  There is nothing about my mother than I can think of that I like — and certainly absolutely NOTHING that I can find to love.  Yet Mother demanded love — and I complied as I in reality BEGGED for her to love me.

To me, it doesn’t matter.  This is the reality of my life with that particular mother.

I think of her today in relation to the book writing I intended to return to May 3rd.  I accomplished some of my own writing, but find I cannot return to reading any of her letters.  I would rather eat a live rattlesnake at this point that consider one single thought she expressed on paper.

That’s OK.  I am still plodding through the creation of the book cover art that needs to be done next, anyway.  There are many small steps in this process, and as I have mentioned all of the different gluing steps require time and patience.  I am making a small plaque that duplicates the title of this book – only this will hang on the bedroom wall of the image itself:

story plaque

I, along with many others, live a life formed during traumatic abuse that we could not put into words.  I am making cover art for such a story.  This step isn’t finished yet – but soon will be.  It will be seen from a distance, so small details will fade into the cover of the book itself.  Well, time for some more gluing….

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+FAILED SOCIALIZATION AND ISOLATION

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At least in the area where I live it seems that the ordinary expectations ordinary people have of one another are very low.  Without going into too much detail because it’s not other people’s standards, behaviors and attitudes that really bother me, I can say that it’s my reactions to other people that create my own problems for me.

Sometimes I just think, “I don’t like very many people” and leave things at that.  It’s when I try to “join in” with others that I repeatedly find myself at odds — with no solutions I can find except to withdraw yet again.

I have had several bumpy interactions in the past 48 hours within a number of situations involving people.  I do have high standards and high expectations that are not shared by very many others.  I wonder at myself.  How did I come to reside in such a singular kind of universe within myself?

Neighbors’ children threatening other people’s property bothers me without solution.  Workers employed at a nonprofit business that supports a worthwhile social program who are lazy, slovenly and rude to the point they are completely sabotaging the success of the entire venture bothers me.  I worked hard volunteering there lately but I personally cannot continue because I cannot make inner peace with fighting what amounts to a losing battle all the way around.  I do not want to participate in that scene.

And then there was my attempt to venture into a social circumstance where fun is permeated by pot use and alcohol consumption by everyone else involved but me.  I partake of neither substance and do not understand how mature adults find such alterations of self to be at all positive.

All of the people included in my complaint list seem perfectly happy with their status quo.  I expect so much more of people!  Today I am considering how the combination of factors in my abusive childhood influenced how I experience people.  I was prevented from having ongoing social interactions that perhaps (probably?) would have created such a powerful need in me to have people in my life that I would never have formed such clear ideas about what I value in others in the first place.  I would have been created (socialized) to give up nearly everything within myself that would stand in opposition to being included rather than excluded from ordinary social situations.

I did not end up becoming a “socialized” being who could accept and overlook what people choose to do — because they can — and evidently want to.  It’s not my job to be any kind of a social conscience for others.  They can take me or leave me.  I hold no special significance or importance in others’ lives (with the exception of family and close friends).

I did not gradually learn sets of social “rules” and skills that I could use to negotiate troubling social situations.  I can only withdraw into isolation.  It can’t be just chance that isolation is exactly what I was raised in.

I am the only one who needs to make peace regarding these matters within myself.  I try to live up to my own high standards in my life.  It’s hard to make peace with this being a lonely road for me because as such an unsocialized person from 0-18 I did not learn how to compromise.  I did not learn to either like or understand people.  Most importantly, I did not learn how to need them at all costs or to accept as normal the (to me) illogical and detrimental choices people seem to very often make.

I am left not feeling better than other people so much as feeling completely different.

Am I unable to bridge the gulf I feel or just unwilling to “play the game?”

Often people confuse, dumbfound – and yes – disappoint me.  I cannot see any real benefit to selling one’s self short, which is how these patterns appear to me.  Did I just so miss the essential (it seems to me) ordinary socialization experiences others had that keeps them all content to be together on a boat that I watch sailing by without me on it that no solutions are even possible for me? 

I have never met another person whose first 18 years included along with direct abuse the kind of extensive isolation and solitary confinements that happened to me.  I cannot explain to others I meet what my world WAS like let alone what my reality is like for me today. 

I cannot learn more by asking questions, either.  This approach is not a part of ordinary social experience.  I either “get along” with all sorts of people or I don’t.  When all the coins are flipped it’s the DON’T side that comes up most of the time for me.

I can’t go back and redo my childhood.  I cannot grow up all over again to be involved in the many thousands of kinds of social interactions that evidently prepare people to do nearly anything — accept anything — blatantly question nothing that seems to so threaten so many people — just so they can NOT be alone.

Other’s social needs seem to be fulfilled in ways I cannot begin to imagine.  I don’t know how to pretend all is well while all that is not well is ignored.  Most social interactions are a LOT of work to me.  I end up feeling exhausted and unfulfilled.

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What is the good in all of this?  I always try to find a positive angle — but all I can think of is that as I write and publish this post there may be readers who understand exactly what I am describing.  It repeatedly puzzles me that I could come out of such a torturous childhood looking for too much goodness in people while I am repeatedly disappointed by human reality.

I was not trained for living in the social world of human reality.  I realize this.  It seems to have been something I was born knowing that humans are perfectly capable of so much more goodness than what they choose to live by.  How else, out of so much badness in my childhood, could I have come to these troublesome conclusions?

It’s not that I ever thought about any of these things during the first 18 years of my life.  I did not.  Do I notice these conflicts of values now simply because I can?

I do not know.

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+COVER ART – STORY WITHOUT WORDS – THE WAITING

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More time is required to complete the art image for the cover of this book.  And I mean just that — the passage of time.  Letting glue dry takes exactly that.

carboard gluing 001

This step required good old-fashioned wood glue to hold the bedroom wall panels onto their supporting heavy cardboard backing.  Nothing like a little weight and pressure to make sure the waiting for this part of the process to dry goes properly!

carboard gluing 002

Here are the taped together tin cans from yesterday’s pictures turning into pillars!  This step took spray adhesive.

Now, to wait for time and modern stickiness to do its work.

Meanwhile, as I did yesterday, I will go into town and volunteer at our local nonprofit thrift store with my friend.  The two main women who work there are faced with disconnecting their much-loved mother from life support today — such a sad, sad day for them — and so shortly before Mother’s Day.

The donations at the store are piled up in dump-truck proportions!  More volunteers are needed if any readers would like to come assist!

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+WORK ON COVER ART FOR BOOK, ‘STORY WITHOUT WORDS’, CONTINUES

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Working with materials I have available to me in my house and yard has forced me to think my way forward in this art project along specific lines.  Because I may or may not be a weaver — I have not decided although I CAN weave and I used to weave and I have a loom with all its apparatus here that I MIGHT use in the future — I realized I have a roll of corrugated paper (that is used to keep threads separated when the loom is warped) that is perfect for the next step in this cover art process.

I realized last night I wanted cylindrical shapes rising along the sides of the main image.  I thought, “Gee, I’ll have to go to the hardware store and buy some PVC pipe the right diameter.”  Then I realized I have cans that are exactly what I need if I tape them together.  There they are in this picture along with the corrugated paper:

carboard priming 001

Because this corrugated paper is stiff it can be formed around the cans.  However, because I am using tissue paper I need to prime the paper first:

carboard priming 002

I find myself thinking today about all the mundane steps it takes to make an image such as this one — and how many times in life the mundane has to take place so that the beauty of a life can come together at all.  The point for me right now is that I continue to have ideas for what this image needs, continue to find the resources I need, and continue through the slow laborious parts of the job so that the WHOLE image can appear!

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+COVER ARTWORK FOR UPCOMING BOOK, ‘STORY WITHOUT WORDS’

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 What’s IN a book cover?  This is different, I am finding out, from what’s ON a book cover.  Creating the artwork for the cover of the book we hope to have published soon, Story Without Words, sends me traveling in so many directions.  I am coming closer to being able to see my thoughts and ideas in physical form as my work on the cover art progresses.  Yet at no time has this process gotten any easier for me.

I am reminded of changes in the operation of the empathy-related systems in the body-brain that early relationship causes during critical stages of development.  I include at the end of this post some very important information related to early trauma-caused changes.  Because I was built in, by and for a trauma environment I have no other perspective from which to consider any of my experiences – and that fact relates also to the making of this book’s cover.

I find myself wondering, “Did Georgia O’Keefe FEEL flowers on the insides of her being as she painted them?”  Certainly I see nothing in her paintings that would suggest to me her portrayal of them came from a cerebrally-detached brain operation unrelated to feeling and the experience of feeling — FLOWERS.  Did she empathize with flowers?

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When it comes not only to writing a book about child abuse — to putting those accounts into words — the experience is probably rarely if ever pleasant.  In this particular book I write not only about abuse Mother did to me but more importantly (in this book) I also write about abuse done to my child mother.  I think there are ways to write “stories” in words from both inside the story and from outside the story — and from places that are degrees along this continuum.

Yet when it comes to making an art image, as simplistic and childlike as this art image is, I am having a very hard time delineating the line between my being outside this work as its creator and being inside the work as I know exactly what this story is about — and what it FELT like as a child and what it feels like to me now.

There is no feeling in these simple materials I am using to make this cover image with:  wire and masking tape, plastic bags and paper, cardboard, glue and Mod Podge.  So what is it that I am feeling as I work with these materials to create this representational image about child abuse?

As I move along in this process I must ask questions, answer them, make decisions and carry them out as I go along one step at a time.  I have the main pieces that go into the image just about completed.  Now I am working to create the CONTEXT part of the image — the WHERE for these figures to be placed.

I find what I need to do to make this image is NOT what I WANT to do!  Yet there is nothing about child abuse that I want!  Of course not!  So this is a very unique and interesting process I am involved in — choosing to make into visible imagery something I HATE!

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There is something very much in this image concerned with “Come Hither!  Go Away!”  I realize, at least in my perspective, that I am doing something very daring.  I am creating an image for the cover of a book I hope to sell (for many reasons) at the same time I am creating an image that is despicable, heart-rending, repulsive. 

There is no denying what this book is about once a person lays their eyes on its cover.  The cover itself really will DARE people to read it.  But isn’t that a great part of the problem with infant and child abuse in the first place?  That people have a great deal of trouble even imagining what it is, what it does to tiny people, what it feels like — WHAT IT LOOKS LIKE?

Although I cannot compare my skills in any way to Pablo Picasso, I do wonder about comparisons of images about horror:

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I think of this:

Guernica is a painting by Pablo Picasso. It was created in response to the bombing of Guernica, a Basque Country village in northern Spain by German and Italian warplanes at the behest of the Spanish Nationalist forces, on 26 April 1937, during the Spanish Civil War. The Spanish Republican government commissioned Picasso to create a large mural for the Spanish display at the Exposition Internationale des Arts et Techniques dans la Vie Moderne at the 1937 World’s Fair in Paris.

Guernica shows the tragedies of war and the suffering it inflicts upon individuals, particularly innocent civilians. This work has gained a monumental status, becoming a perpetual reminder of the tragedies of war, an anti-war symbol, and an embodiment of peace. Upon completion Guernica was displayed around the world in a brief tour, becoming famous and widely acclaimed. This tour helped bring the Spanish Civil War to the world’s attention.

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I don’t have any answers for myself right now.  I do know that my empathy with myself is all mixed up with empathy for others who have suffered early abuse, those little ones suffering it now — all mixed up with how book readers might react, what they will see and feel and think about this cover — and about the book, Story Without Words itself.

All I know to do is to get back to work on this image.  As is most often the case I want to see this artwork completed so I can see what it looks like — and then — so I can walk away from it as I leave it to its own form that will by that time be something that is completely separate from me.  In the meantime, I can’t help but FEEL my way through its making.

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BACKGROUND:

*Preschooler empathy

About this article:

“Individual Differences in Empathy Among Preschoolers:  Relation to Attachment History”

By Roberta Kestenbaum, Ellen A. Farber, L. Alan Sroufe

New Directions for Child Development

Vol 44, 1989, 51-64

And this post –

+EARLY ATTACHMENT ORIGINS OF EMPATHY

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