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When it comes to telling our story of the early years of our life whatever we come up with will be perfect. For all the billions of people on this planet, every one of us has a unique life history.
I rarely remember my dreams any more, but earlier in the week I woke with a clear picture of something I had experienced in my sleep. There was a huge field, mowed grass, scratchy not like a manicured lawn. There were shallow dips and trenches in the ground and everywhere there were colored crystals.
Some were golden and shaped like half-inch beads. Some were amethyst and shaped like larger tear drops. Some were royal blue, some a light powder blue, along with all shades of turquoise, amber and red. Some were prisms, some oblong. There were lots of people walking around the edges of the field, but when these multifaceted ‘gems’ appeared the people went after them.
I stood back and watched until everyone satisfied themselves with their own personal collection of beauty they scampered around the field to collect. When everyone had gone I entered the field and began to pick up my own choice of ‘stones’. I filled my pockets. I took off my cap and filled it. Holding my collection in one hand I lifted the edge of the T-shirt I was wearing to make a little basket I could fill with more.
I woke up remembering the feel of all these various shaped objects in my fingers as I had carefully gathered them in this field, and I knew each one of them represented a story of my life just as the other ones did for other people.
These objects were not diamonds. I knew they were humbler, made somehow from glass. It didn’t matter to me, or to anyone else that these stories were small, each one different, each one colored with a different emotion and filled with a different tale. None of these were grand or spectacular ‘stones’, but when I woke up I knew that the story that each one contained was specific to the person who picked each one up, as individual as were the fingers that gathered them and carried them away.
There were plenty of these pure colored objects left in the grasses on that field. I knew they belonged to other people who would come along in the future to pick up their share. There seemed to be no end to them. No matter how many had been gathered there were plenty more. I could see them glistening and sparkling in the sunlight.
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There is no writer or a teller of spoken stories who has not plied their trade with words. Words, those gems in the fields of human understanding belong to no one. Yes, they are gathered together in patterns, but the words themselves don’t actually leave us once someone else has plucked them from the invisible fields of the mind. It strikes me what a miracle that is, and how different our existence would be in a different reality, in one where once a word was chosen it then belonged only to the first person who found it.
So is there such a thing as ‘the perfect story’? That would mean to me that this perfect story could be written in ‘the perfect way’ — and no other. Yet because there has never been such a being as the perfect human, how could a perfect story ever be told? If humanity were to suddenly decide to only keep the perfect stories and to throw all the other stories away, what story would be left?
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I can’t find a way to think about ‘my story’ or about anyone else’s story without at the same time thinking about the person-people who hear or read the story. All the words that pass through another person’s mind in response to a story matter to me as much as the original story does, only I have no idea what those invisible responses really are.
THOSE invisible words, those ‘response’ words, simply exist for me within the realm of what I call ‘the mystery of creation’. While they don’t belong to any actual story of mine I might tell or write, they are connected to the story. Those response words come from connection between one’s story and somebody else’s and happen, as far as I know, only among the living.
Therefore story, to me, is a human part of being alive. The field in my dream I watched other people mine for orbs and spheres and tear drops of faceted colored crystal glass, the field I mined myself for my portion and share, is the field of story: Story lived, story remembered, story told, story shared.
Somehow I know that every one of these stories is perfect.
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I am for some reason reminded right now of these words I found in this book written by a neuroscientist: A User’s Guide to the Brain: Perception, Attention, and the Four Theaters of the Brain by John J. Ratey (Jan 8, 2002)
“Consequently, I have decided that I will have to replace much of the technical language about the brain with a language more akin to what the brain itself uses. Throughout this book I will be making constant use of metaphors and analogies…. Although metaphor and analogy are unconventional in scientific circles, I am firmly convinced that a more nonlinear kind of thought will eventually supplant much of the logical reasoning we use today. Chris Langton, one of the primary researchers in the field of complexity theory, has speculated that in the future science will become more poetic. Our troubled world, too, is becoming too complex for logical argumentation, and may have to change its thinking: real trust, when emotions are running high, is based on analogy, not calculation.” (page 5)
At the same time I am thinking about yet another article I found this week in a magazine I pulled out of my friend’s trash: The secret life of metaphor: How metaphorical language inspires emotional insight and psychological change by James Geary, published in Ode magazine, Spring 2011 in which Geary states —
“Metaphor lives a secret life all around us. We utter about one metaphor for every 10 to 25 words, or about six metaphors a minute.”
And then I think about these words:
“When a thought of war comes, oppose it by a stronger thought of peace. A thought of hatred must be destroyed by a more powerful thought of love.” [from Paris Talks: Addresses Given by ‘Abdu’l-Baha in Paris in 1911-1912 (London: Bahai’i Publishing Trust, 1995), p. 2]
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In my own way, with my own words, I am reflecting upon the story of my severely abusive infancy and childhood that I am in the process of writing for the book my daughter and I are ‘making’. I often wonder why I do not feel anger about what was done to me. It seems that ever since my earliest years I have always chosen ‘peace’ and ‘love’ rather than ‘war’ and ‘hatred’. I find that I must not have any intention of changing my choices now.
At the same time I write I continually encounter the words of my abuser, my Borderline mother both as I remember them and as I have found them in her own writings. While most of what my mother said to me and about me as well as what she did to me I can call EVIL, I do not look at ‘the story’ of her life as it included me as being evil.
It seems that as I lived within her Borderline world I had my own lines that were different from hers, and it is my own lines that I did not cross. It is from within my own lines that define me that I tell my side of the story — my story.
My story is extremely complex because my mother’s story was extremely complex. My mother became lost in a universe of metaphor very early in her childhood. She ‘made those metaphors real’ — and as she did so she captured me within them — and certainly not in anything like a good way!
Yet in my thinking this does not make the story of my mother’s (or my father’s) life any less perfect than the story of my life is. Our stories were very different, but each of them was a story of LIFE itself as that life played itself out. Life itself is sacred to me. Life itself is perfect because it is the great gift given by the One Who Creates all.
There must be a very fine line for me here, a line infinitesimally finer than a hair. This is the line that ultimately divides life as we know it from death as we imagine it but it is not the line that divides a imperfect life story from a perfect one.
I was forced to spend the first 18 years of my life ‘hearing’ my parents’ life story as they lived it. But because their life stories belonged to them and my story belongs to me, I know that how they responded to me, to my story as I lived it, had no more to do with me than how I responded then and how I respond now to theirs. My response is a part of my story.
I choose to move forward in my life story leaving my parents’ stories in a state of perfection with them. I am free to ‘name’ what they did to me as evil because it was evil. It was criminal. This ‘naming’ is itself a part of my story, but I am very clear that this ‘naming’ is my response and has nothing to do with my parents.
I do not join with them in their state of war. I do not join with them in their state of hatred. I am free to oppose those states in any way I can think of, and telling my own story in written words is part of how I am doing that.
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SCARS THAT WON’T HEAL: THE NEUROBIOLOGY OF CHILD ABUSE
“Because childhood abuse occurs during the critical formative time when the brain is being physically sculpted by experience, the impact of severe stress can leave an indelible imprint on its structure and function. Such abuse, it seems, induces a cascade of molecular and neurobiological effects that irreversibly alter neural development.”
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+WRITING A BOOK? MY STORIES? WHAT DIFFERENCE DOES IT MAKE?
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